Eden Burning

• ISBN13: 9780440121350
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A major figure in the history of post-Revolutionary literature in Mexico, Juan Rulfo received international acclaim for his brilliant short novel Pedro Páramo (1955) and his collection of short stories El llano en llamas (1953), translated as a collection here in English for the first time. In the transition of Mexican fiction from direct statements of nationalism and social protest to a concentration on cosmopolitanism, the works of Rulfo hold a unique position. These stories of a rural people caught in the play of natural forces are not simply an interior examination of the phenomena of their world; they are written for the larger purpose of showing the actions of humans in broad terms of reality.Sh! e was a girl as beautiful and innocent as her family's lush Caribbean plantationâ€"until she discovered the darkness of desire and became a woman. Expelled from paradise, Teresa Francis would be swept into marriage and the opulence of New York only to be drawn back to her island, where secrets can ignite explosions of political upheaval and clandestine love.

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Dumb and Dumberer: When Harry Met Lloyd (New Line Platinum Series)

• THE MISADVENTURES OF TWO INCREDIBLY STUPID GUYS.You ll be dumbstruck. That s a good thing. Lloyd (Jim Carrey) and Harry (Jeff Daniels) deliver a delirious no-brainer (Side A s Dumb and Dumber) as they hit the road to return a misplaced briefcase to its owner (Lauren Holly). The fellas don t know the case is crammed with ransom money. But you will. And so will the mob guys trying to get the case ba

DUMB AND DUMBER DOUBLE FEATURE - DVD MovieHarry meets Lloyd and assembles a ragtag team for a high school experience unlike any other in this prequel to the hit comedy, Dumb and Dumber.A passable comedy for delinquent kids and unambitious teens with time to kill, Dumb and Dumberer does for prequels what Jerry Springer did for daytime television. With only faint connection to the 1994 hit starring Jim Carrey and Jeff Daniels, this ill-conceived prequel follows the Carrey/Daniels characters, Ll! oyd and Harry, as they bungle their way through high school. The principal and his demented lunch lady (Eugene Levy and SNL alumnus Cheri Oteri) have hatched a scheme to embezzle funds intended for students with "special needs," and Harry & Lloyd unwittingly recruit a few "intellectually challenged" classmates to fuel the plot. Veteran TV director Troy Miller prefers to keep the humor low and lowerer: Scatological jokes, puerile double-entendres, and juvenile sight gags ensure that Dumb and Dumberer lives up to its title. As Lloyd and Harry, respectively, Eric Christian Olsen and Derek Richardson deliver a few laughs, but they're stuck in a movie with special needs of its own. --Jeff Shannon

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Crazy Love: Overwhelmed by a Relentless God

• ISBN13: 9781434768513
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

God is love. Crazy, relentless, all-powerful love. Have you ever wondered if we’re missing it? It’s crazy, if you think about it. The God of the universe--the Creator of nitrogen and pine needles, galaxies and E-minor--loves us with a radical, unconditional, self-sacrificing love. And what is our typical response? We go to church, sing songs, and try not to cuss. Whether you’ve verbalized it yet or not...we all know somethings wrong. Does something deep inside your heart long to break free from the status quo? Are you hungry for an authentic faith that addresses the problems of our world with tangible, even radical, solutions? God is calling you to a passionate love relationship with Himself. Bec! ause the answer to religious complacency isn’t working harder at a list of do’s and don’ts--it’s falling in love with God. And once you encounter His love, as Francis Chan describes it, you will never be the same. Because when you’re wildly in love with someone, it changes everything.

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Desperado (Special Edition)

• TESTED

Deperado - Antonio Banderas, Joaquim De Almeida, Salma Hayek, Steve Buscemi, Cheech Marin and Quentin Tarantino star in this stylish shoot-’em-up described as a south-of-the-border Pulp Fiction, now remastered in high definition for Blu-ray™. Writer/director Robert Rodriguez follows up his legendary debut film, El Mariachi, with this sexy sequel about a mysterious guitar player (Banderas) searching for vengeance against the men who murdered his girlfriend.

El Mariachi - All he wants is to be a mariachi, like his father, his grandfather and his great grandfather before him. But the town he thinks will bring him luck brings only a curse of deadly mistaken identity. Forced to trade his guitar for a gun, the mariachi is playing for his life in this critically acclaimed film debut from writer/director Robert Rodriguez, now remastered in high defin! ition for Blu-rayâ„¢. El Mariachi
This first film by twenty-four-year-old Robert Rodriguez was made for seven thousand dollars, and part of its enormous charm is that it really looks like a seven-thousand-dollar movie. It's a grubby little thriller, set in a Mexican border town, about a wandering mariachi musician (Carlos Gallardo) who is mistaken for a killer. The picture is a virtually unbroken series of chases and shoot-outs, and the non-stop action should be tiresome, but it isn't. Rodriguez establishes a delirious pace, and keeps the bullets flying and the corpses crumpling for a brisk, and appropriately terse, eighty-two minutes. The movie has the sort of dry, bracingly unwholesome humor that relentless mayhem can produce if the characters are mean and abject enough and the storytelling is speedy and laconic. This young filmmaker is no visual wizard; he's just an energetic and imaginative manipulator of tried-and-true genre conventions. But if you! enter his seedy world with expectations as low as the picture! 's aspir ations, you'll probably have a very good time. Also with Reinol Martinez, Consuelo Gómez, and Peter Marquardt. In Spanish. -Terrence Rafferty
Copyright © 2006 The New Yorker

Desperado
Director Robert Rodriguez follows up his cult feature "El Mariachi" with a similar story in an identical setting, throws in a big star, and comes up with the same old thing-fun with guns. The plot is not exactly Balzacian in its complexity: we watch the Mariachi kill a large number of unshaven men and go to bed with a smooth-skinned beauty as he moves toward an ultimate and rather tedious act of vengeance. What fun there is derives from the smart editing (Rodriguez did his own cutting, and he's quicker on the draw than most of the pistol-packers) and from Antonio Banderas, who, stepping neatly into the Mariachi's boots, lends irony and calm, and even a trace of sweetness, to a nothing role. Without him the picture would remain a hollow, high-speed exerc! ise in style. (Fans of Quentin Tarantino will note with delight that their idol has a small supporting role. Foes will note with equal delight that he gets shot in the head.) -Anthony Lane
Copyright © 2006 The New YorkerIn this continuation of "El Mariachi," a traveling musician looking for work gets mistaken for a hitman and is thereby entangled in a web of love, corruption, and death. This leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Stars Antonio Banderas and Salma Hayek. Deluxe Edition packed with special features! Featurette: "Sneak Peak: Once Upon A Time in Mexico. Featurette: "10 More Minutes: Anatomy of a Shootout." Audio Commentary with Director Robert Rodriguez.It's Sergio Leone meets Sam Peckinpah meets Quentin Tarantino in this ultraviolent, mythological shoot-'em-up by auteur Robert Rodriguez. In Desperado, Rod! riguez creates larger-than-life, genre-tweaking stock characte! rs and p uts them through their paces. As they stride bravely through an Old West lightly dusted with camp humor, they're periodically called upon to nimbly dodge bullets and fireballs through outrageously choreographed displays of Hollywood pyrotechnics. In this bigger-budget semi-remake/semi-sequel to Rodriguez's indie sensation, El Mariachi (made, famously, for $7,000), Antonio Banderas is the darkly charismatic El Mariachi, the Mysterious Stranger in town; Steve Buscemi is perfectly cast as his weasely, motor-mouth Comic Sidekick, laying the groundwork for El Mariachi's entrance by spinning saloon stories to build up his legend; Cheech Marin is a standout as the Bartender, who really knows how to handle a toothpick; and gorgeous Salma Hayek is, well, the Girl--treated to the kind of full-blown, slow-mo introduction the movies traditionally lavish on beautiful new stars. It doesn't add up to much, but it's a kick. Be careful not to blow out your speakers with the DVD's Dolb! y Digital 5.1 soundtrack. --Jim Emerson

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Hitman Hart: Wrestling With Shadows - 10th Anniversary Collector's Edition

• Never before released on DVD - Hitman Hart -Wrestling with Shadows, with bonus DVD, The Life and DEath of Owen Hart
• "...truly a knockout film." - WALL STREET JOURNAL
• ". . . it could be the best documentary I've ever seen." - IAN BROWN, writer/broadcaster
• "...do yourself a favor and tune in." - L.A. Times
• "I sat mesmerized . . . mind-boggling." - The West Australian

BEYOND THE MAT RINGSIDE - DVD MovieAt first, this behind-the-scenes documentary about professional wrestling seems as if it will be an unabashed fan's whitewash of the increasingly bizarre and popular world of "sports entertainment," as it is known. But director Barry Blaustein (a Saturday Night Live veteran who has cowritten many of Eddie Murphy's films) goes much deeper than you'd expect in a film that is at once entertaining and disturbing. By focusing on a trio of wrestlers who give him s! urprising access, Blaustein uncovers human stories that can be wrenching in their stark honesty. That's particularly true of one-time superstar Jake "the Snake" Roberts, whose career has fallen on hard times because of a crack habit; Roberts brings Blaustein along for his first encounter in several years with his grown, estranged daughter. Blaustein also goes into the lives of Terry Funk and Mick "Mankind" Foley in ways that are both revealing and, at times, upsetting. More than just a fan's appreciation, this is that rare documentary that shows you sides of a familiar subject you never knew existed. --Marshall FineBarry Blaustein's critically acclaimed documentary about wrestling takes viewers beyond the ring and into the lives of the men and women who inhabit this colorful, competitive, and surprisingly complex world. During the five years he spent working on the film, Blaustein discovered that the control wrestlers exert in the ring is often contrasted by the lack! of control they have in their own lives. Some pursue dreams--! others a re pursued by personal demons. Always relaying his love and respect for his subject matter, Blaustein travels on the open road with the wrestlers, shares their most intimate moments with their families, and witnesses their victories and defeats in the ring. 108 minutes.At first, this behind-the-scenes documentary about professional wrestling seems as if it will be an unabashed fan's whitewash of the increasingly bizarre and popular world of "sports entertainment," as it is known. But director Barry Blaustein (a Saturday Night Live veteran who has cowritten many of Eddie Murphy's films) goes much deeper than you'd expect in a film that is at once entertaining and disturbing. By focusing on a trio of wrestlers who give him surprising access, Blaustein uncovers human stories that can be wrenching in their stark honesty. That's particularly true of one-time superstar Jake "the Snake" Roberts, whose career has fallen on hard times because of a crack habit; Roberts brings ! Blaustein along for his first encounter in several years with his grown, estranged daughter. Blaustein also goes into the lives of Terry Funk and Mick "Mankind" Foley in ways that are both revealing and, at times, upsetting. More than just a fan's appreciation, this is that rare documentary that shows you sides of a familiar subject you never knew existed. --Marshall FineAt first, this behind-the-scenes documentary about professional wrestling seems as if it will be an unabashed fan's whitewash of the increasingly bizarre and popular world of "sports entertainment," as it is known. But director Barry Blaustein (a Saturday Night Live veteran who has cowritten many of Eddie Murphy's films) goes much deeper than you'd expect in a film that is at once entertaining and disturbing. By focusing on a trio of wrestlers who give him surprising access, Blaustein uncovers human stories that can be wrenching in their stark honesty. That's particularly true of one-time supe! rstar Jake "the Snake" Roberts, whose career has fallen on har! d times because of a crack habit; Roberts brings Blaustein along for his first encounter in several years with his grown, estranged daughter. Blaustein also goes into the lives of Terry Funk and Mick "Mankind" Foley in ways that are both revealing and, at times, upsetting. More than just a fan's appreciation, this is that rare documentary that shows you sides of a familiar subject you never knew existed. --Marshall FineTHE NEW Double DVD set: BRETT THE HITMAN HART
And never before released on DVD,
THE LIFE AND DEATH OF OWEN HART....

Bret Hart, five times' champion of the World Wrestling Federation, sits in a hotel room - one day before the most important fight of his life.

Sure, it's just professional wrestling, but this match is different. It will be Bret's last in the WWF, a company for whom he's been the top guy and loyal champion for years. The owner of the company, the legendary Vince McMahon, want's him out, only months after signing an unprecedented twenty years contract. Now he want's him to lose his final match as well.

It's not just another wrestling show for Bret. This fight will determine how his character 'The Hitman', wrestling's favourite good guy for the last decade, will be remembered.

Sitting in a hotel room, one day before the match. What Bret doesn't know, is that he will be the target of the biggest double cross in the history of professional wrestling.

Over the span of one year, an award winning documentary film crew followed Bret Hart. They hoped for an unprecedented look behind the scenes of the WWF. What they got was the most dramatic story in the history of wrestling.

HITMAN HART is a story about loyalty and betrayal, money and greed, dignity and disgrace. It's about fathers and sons, fans and icons, and keeping one's integrity in a world of moral uncertainty. In a word, it's a film about being human.

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Fay Grim

• Fay Grim (Parker Posey) is afraid her son Ned (Liam Aiken) will turn out like his father, Henry, who has been a fugitive for seven years. Fay s brother, Simon, is serving a prison sentence for helping Henry escape the country. Adding to her trials, Fay is approached by a CIA agent (Jeff Goldblum) to help find Henry s missing notebooks in exchange for Simon s freedom. The mission escalates into a g

FAY GRIM - DVD MovieFay Grim is Hal Hartley's version of the espionage thriller. Consequently, it's more peculiar than pulse-pounding, but that's what makes his films appealing--to those who appreciate their off-kilter rhythms, that is. In Hartley's world, dialogue is often delivered with a straight face, no matter how funny the line or farcical the situation. In Fay Grim, he picks up seven years after Henry Fool left off, but this time the writer/director shifts focus from no! velist Henry (Thomas Jay Ryan) to his seemingly scattered wife, Fay (Parker Posey). Their son, Ned (Liam Aiken), is now in his teens, but Henry remains at large, and Fay's "garbage man poet" brother, Simon (James Urbaniak), remains in prison for aiding in his escape. Then two CIA operatives, Fulbright (Jeff Goldblum) and Fogg (Leo Fitzpatrick), inform her that Henry is dead, so Fay agrees to track down his complete set of diaries in exchange for Simon's freedom. Apparently, Henry's incoherent ramblings contain state secrets. Joining forces with stewardess Bebe (Elina Löwensohn), Fay travels from Queens to Paris to Istanbul to fulfill her mission. In the end, Fay Grim resembles Hartley's noir parody Amateur, which featured Löwensohn, more than Henry Fool. It has less to say about talent and celebrity and more about mystery and intrigue. For the filmmaker, it also represents an opportunity to reunite a strong ensemble and to recover, at least for the ti! me being, from a string of disappointments, like No Such Th! ing and The Girl From Monday. --Kathleen C. Fennessy

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The Limits of Control

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Celebrated writer-director Jim Jarmusch (Mystery Train) serves up this witty and intoxicating brew that's "as addictive as caffeine" (Richard Roeper, "Ebert & Roeper and the Movies") and "as buzzy and ephemeral as, well, coffee and cigarettes" (LA Weekly)! "Sneakily delirious [and] way cool" (Time), this "funny cluster of eleven stories" (Rolling Stone) delivers "inspired eccentric match-ups" (The Hollywood Reporter) from an incredible all-star cast, making Coffee and Cigarettes an absolute must for fans of film, fun and fantastic wit!Now here is a movie that's practically perfect for DVD. Shot over many years with eccentric actors, Jim Jarmusch's collection of black-and-white vignettes is as uneven as a collection of music videos (without songs). Even with the dull spots and the drop-dead-hip ambi! ance, there's something touching about this parade of frazzled people holding on to their coffee and cigarettes like life rafts--especially in the final sequence with Taylor Mead. There are some severely misconceived pieces, but the best are a treat: Alfred Molina and Steve Coogan in a hilarious Hollywood encounter, Tom Waits and Iggy Pop getting off on the wrong foot in a funky diner, and Cate Blanchett doing a dual role as herself and a jealous cousin. Bill Murray can't save one underwritten piece, but Jack and Meg White are amusing in an absurdist blackout. Use the Scene Selection menu, and revel in the fetishizing of java and butts. --Robert HortonNow here is a movie that's practically perfect for DVD. Shot over many years with eccentric actors, Jim Jarmusch's collection of black-and-white vignettes is as uneven as a collection of music videos (without songs). Even with the dull spots and the drop-dead-hip ambiance, there's something touching about this parade o! f frazzled people holding on to their coffee and cigarettes li! ke life rafts--especially in the final sequence with Taylor Mead. There are some severely misconceived pieces, but the best are a treat: Alfred Molina and Steve Coogan in a hilarious Hollywood encounter, Tom Waits and Iggy Pop getting off on the wrong foot in a funky diner, and Cate Blanchett doing a dual role as herself and a jealous cousin. Bill Murray can't save one underwritten piece, but Jack and Meg White are amusing in an absurdist blackout. Use the Scene Selection menu, and revel in the fetishizing of java and butts. --Robert HortonALL PRODUCTS BRAND NEW, GUARANTEED AND FACTORY SEALED, GREAT PRODUCTS AND EXCELENT SERVICE (IDIOMA:INGLES,SUBTITULOS:ESPANOL,DURACION:96 MINS)When fate lands 3 hapless men - an unemployed disc jockey a small-time pimp & a strong-willed italian tourist - in a louisiana prison their singular adventure begins. Studio: Image Entertainment Release Date: 10/22/2002 Starring: John Lurie Roberto Benigni Run time: 107 minutes Director: Jom Jar! muschAfter creating one of the breakthrough movies of the American independent cinema, Stranger than Paradise, Jim Jarmusch stayed right in the same minimalist, oddball, black-and-white groove. Down by Law takes place in Louisiana, where two losers (musicians Tom Waits and John Lurie) find themselves stuck in a jail cell together. One day they are joined by a boisterous Italian (Roberto Benigni), and the chemistry changes--suddenly an escape attempt is on the horizon. Conventional drama is not Jarmusch's intention; one of the emotional high points of this movie is the three guys marching around their prison cell shouting, "I scream, you scream, we all scream for ice cream!" Yet the deadpan style creates its own humorous mood, underscored by melancholy (also underscored by the music of Lurie and the gravel-voiced songs of Waits). This was the first American film for Roberto Benigni, the Italian comedian (Life Is Beautiful), and he lights it up with his e! ffervescent clowning. Jarmusch has said that Down by Law forms a loose trilogy with Stranger than Paradise and the subsequent Mystery Train, a triptych of disaffected, drifting life in the United States. Few filmmakers have ever surveyed ennui so entertainingly. --Robert Horton A comic series of short vignettes built on one another to create a cumulative effect, as the characters discuss things as diverse as caffeine popsicles, Paris in the '20s, and the use of nicotine as an insecticide--all the while sitting around sipping coffee and smoking cigarettes. As director Jim Jarmusch delves into the normal pace of our world from an extraordinary angle, he shows just how absorbing the obsessions, joys and addictions of life can be, if truly observed.Acclaimed filmmaker Jim Jarmusch delivers a stylish and sexy new thriller about a mysterious loner (De Bankolé) who arrives in Spain with instructions to meet various strangers, each one a part of his dangerous mission. Featuring an all-star international cast that includes ! Isaach De Bankolé, Gael García Bernal, John Hurt, Tilda Swinton and Bill Murray, it’s a stunning journey in an exotic Spanish landscape that simmers with heat and suspense.Jim Jarmusch has been the cinema's deadpan poet of lives in transit, from his breakthrough feature Stranger Than Paradise (1984) to Broken Flowers (2005). Limits of Control pretty much consists of deadpan and transit as it follows--make that contemplates--the mission of an enigmatic hitman through some picturesque but sparsely populated corners of Spain. Whom this "Lone Man" (Isaach De Bankolé) is supposed to kill and why are matters not shared with the viewer. Neither is the content of the various minuscule messages Lone Man periodically receives, reads, then swallows. Presumably they cue the next stage of his itinerary, which includes encounters with John Hurt as a guitar-toting philosophe who disdains the word "bohemian," Tilda Swinton as a platinum-blonde-wigged femme ! fatale emulating Rita Hayworth in The Lady from Shanghai (and r eminding us that that glorious movie made no sense either), and Pas de la Huerta as a young woman called, with incontrovertible aptness, "Nude." Throughout, De Bankolé's magnificent carven-ebony features register little, not even exasperation that every conversation begins with someone saying to Lone Man, "You don't speak Spanish, do you?"--in Spanish.

Most of the little that's said in Limits of Control is stuff like "Everything is subjective ... Reality is arbitrary ... Life is a handful of dust" (though that gets translated as "Life is a handful of dirt"). You've gathered by now that no way is this a thriller, although it teases against the outline of one. Its hipster self-consciousness includes name-dropping (Eliot, Rimbaud, Hitchcock; the title is from William Burroughs), homage (Citizen Kane, Contempt, De Chirico), and quite a bit of cutting from paintings to actual scenes that resemble them, and vice versa. It's all impeccably shot by Christo! pher Doyle, who knows just how to light De Bankolé and his dark monochrome outfits against dark monochrome backgrounds, and make us glad he does. Otherwise, Limits of Control pales in comparison to Jarmusch's other film centered on a taciturn black assassin, Ghost Dog: The Way of the Samurai (1999), with Forest Whitaker. There the minimalist narrative took on an aura of ritual, devotion, and genuine mystery. The rituals being observed in Limits of Control feel empty and played out. --Richard T. Jameson

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TCM Greatest Classic Films Collection: Murder Mysteries (The Maltese Falcon / The Big Sleep / Dial M for Murder / The Postman Always Rings Twice 1946)

• THE MALTESE FALCON Some high-living lowlifes want to get their sweaty hands on a bejeweled falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why and who ll take the fall for his pertner s murder. Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr. co-star in a crackling masterwork directed and written for the screen by John Huston.THE BIG SLEEP (1946) L.A. private eye Phi

First, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording! devices and on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam ! Chomsky, and Hollywood types, like J.J. Abrams, who created Lost, and Quentin Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo to take a look at their ban on outdoor ads: no billboards or messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-style marketing. The film as a whole resembles a full-length version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyFirst, he was bugged by the almighty burger, now Oscar®-nominated renegade filmmaker Morgan Spurlock (Super Size Me) is biting the hand that feeds him by exposing Hollywood’s dirtiest little secret: the games they play to get advertisers’ products strategically placed in movies and on television. Spurlock uses his irreverent comedic style to infiltrate corporate boardrooms and ad agency pitch meetings to show how far they will go without our even knowing it! Since the advent of recording devices and ! on-demand services, consumers have been bypassing commercials like never before, so advertising agencies have stepped up their use of product placement. In The Greatest Movie Ever Sold, Morgan Spurlock (Super Size Me) renders the process transparent as he documents his attempts to get Madison Avenue to fund his film. After a flood of rejections, he takes a series of meetings with companies willing to align their brand with his--and make no mistake, Spurlock is as much a brand as Donald Trump or Outkast's Big Boi, who show up to talk about product endorsement. The director's entertaining and enlightening journey even leads him to a juice purveyor that opens its wallet for placement above the title--hence the name of the pomegranate beverage which appears on all promotional materials. As one observer puts it, "You're selling out, but not selling out." For perspective, Spurlock solicits commentary from progressive thinkers, like Ralph Nader and Noam Chomsky, and ! Hollywood types, like J.J. Abrams, who created Lost, an! d Quenti n Tarantino, who admits that a certain all-night diner rejected his offer to appear in Reservoir Dogs. Spurlock even travels to São Paulo to take a look at their ban on outdoor ads: no billboards or messages on cabs and buses, rendering the city clean and downright dull for those accustomed to American-style marketing. The film as a whole resembles a full-length version of a Mad Men pitch meeting--but funnier. --Kathleen C. FennessyOscar nominated, boundary pushing director Morgan Spurlock's POM Wonderful Presents: The Greatest Movie Ever Sold that looks with humorous insight into the world of product placement and marketing. Providing the soundtrack to this insightful and humorous documentary are a wide array of artist, including two originals tracks recorded specifically for the soundtrack, a spoken word piece from director Morgan Spurlock and a track entitled "The Greatest Song I Ever Heard" by the band OK Go, who isn't shy about their associations ! with brands and product placement.THE MALTESE FALCON Some high-living lowlifes want to get their sweaty hands on a bejeweled falcon. Detective Sam Spade (Humphrey Bogart) wants to find out why â€" and who’ll take the fall for his pertner’s murder. Sydney Greenstreet, Mary Astor, Peter Lorre and Elisha Cook Jr. co-star in a crackling masterwork directed and written for the screen by John Huston. THE BIG SLEEP (1946) L.A. private eye Philip Marlowe (Humphrey Bogart) takes on a blackmail case…and wears out his gumshoes trailing murderers, nightclub rogues, the spoiled rich and more. Lauren Bacall joins Bogart under Howard Hawks’ brisk and atmospheric direction of an ace adaptation of Raymond Chandler’s novel. DIAL M FOR MURDER Alfred Hitchcock’s screen version of Frederick Knott’s stage hit casts Grace Kelly, Ray Milland and Robert Cummings as points of a romantic triangle. She loves Cummings; her husband Milland plots her murder. But when he dials a Mayfai! r exchange to set the plot in motion, his right number gets th! e wrong answer! THE POSTMAN ALWAYS RINGS TWICE (1946) Based on the novel by James M. Cain (Double Indemnity, Mildred Pierce), this quintessential film noir stars John Garfield and Lana Turner as illicit lovers who botch a first attempt to bump off her husband, pull it off and betray each other at trial. Amorous attractions never proved so fatal as in this steamy, stormy classic.

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