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Published in 40 countries, Philip Pullman's His Dark Materials trilogy--
The Golden Compass, The Subtle Knife, and
The Amber Spyglass--has graced the
New York Times, Wall Street Journal, San Francisco Chronicle, Book Sense, and
Publishers Weekly bestseller lists. In 1996,
The Golden Compass changed the face of fantasy publishing, and 2006 marks its 10 Year Anniversary--and an opportunity to celebrate with a deluxe hardcover. Pullman created new material just for this edition (archival documents, scientific notes and "found" letters of Lord Asriel) which has been illustrated and handlettered by renowned British artist Ian Beck and will be included in the back matter. Th! e deluxe edition also features Pullman's own chapter opening spot art. A quality collectible--with the enticement of never-before-seen new material--for Pullman fans.Some books improve with age--the age of the reader, that is. Such is certainly the case with Philip Pullman's heroic, at times heart-wrenching novel,
The Golden Compass, a story ostensibly for children but one perhaps even better appreciated by adults. The protagonist of this complex fantasy is young Lyra Belacqua, a precocious orphan growing up within the precincts of Oxford University. But it quickly becomes clear that Lyra's Oxford is not precisely like our own--nor is her world. For one thing, people there each have a personal
daemon, the manifestation of their souls in animal form. For another, hers is a universe in which science, theology, and magic are closely allied:
As for what experimental theology was, Lyra had no more idea than the urchins. She had formed the n! otion that it was concerned with magic, with the movements of! the sta rs and planets, with tiny particles of matter, but that was guesswork, really. Probably the stars had daemons just as humans did, and experimental theology involved talking to them.
Not that Lyra spends much time worrying about it; what she likes best is "clambering over the College roofs with Roger the kitchen boy who was her particular friend, to spit plum stones on the heads of passing Scholars or to hoot like owls outside a window where a tutorial was going on, or racing through the narrow streets, or stealing apples from the market, or waging war." But Lyra's carefree existence changes forever when she and her daemon, Pantalaimon, first prevent an assassination attempt against her uncle, the powerful Lord Asriel, and then overhear a secret discussion about a mysterious entity known as Dust. Soon she and Pan are swept up in a dangerous game involving disappearing children, a beautiful woman with a golden monkey daemon, a trip to the far north,! and a set of allies ranging from "gyptians" to witches to an armor-clad polar bear.
In The Golden Compass, Philip Pullman has written a masterpiece that transcends genre. It is a children's book that will appeal to adults, a fantasy novel that will charm even the most hardened realist. Best of all, the author doesn't speak down to his audience, nor does he pull his punches; there is genuine terror in this book, and heartbreak, betrayal, and loss. There is also love, loyalty, and an abiding morality that infuses the story but never overwhelms it. This is one of those rare novels that one wishes would never end. Fortunately, its sequel, The Subtle Knife, will help put off that inevitability for a while longer. --Alix Wilber
Published in 40 countries, Philip Pullman’s His Dark Materials trilogy â€" The Golden Compass, The Subtle Knife, and The Amber Spyglass â€" has graced the New York Times, Wall St! reet Journal, San Francisco Chronicle, Book Sens! e, a nd Publishers Weekly bestseller lists.
The Golden Compass forms the first part of a story in three volumes. The first volume is set in a world like ours, but different in many ways. The second volume is set partly in the world we know. The third moves between many worlds.
In The Golden Compass, readers meet 11-year-old Lyra Belacqua, a precocious orphan growing up within the precincts of Jordan College in Oxford, England. It quickly becomes clear that Lyra's Oxford is not precisely like our ownâ€"nor is her world. In Lyra's world, everyone has a personal dæmon, a lifelong animal familiar. This is a world in which science, theology and magic are closely intertwined.
The Subtle Knife is the second part of the trilogy that began with The Golden Compass. That first book was set in a world like ours, but different. This book begins in our own world.
In The Subtle Knife, readers are in! troduced to Will Parry, a young boy living in modern-day Oxford, England. Will is only twelve years old, but he bears the responsibilities of an adult. Following the disappearance of his explorer-father, John Parry, during an expedition in the North, Will became parent, provider and protector to his frail, confused mother. And it's in protecting her that he becomes a murderer, too: he accidentally kills a man who breaks into their home to steal valuable letters written by John Parry. After placing his mother in the care of a kind friend, Will takes those letters and sets off to discover the truth about his father.
The Amber Spyglass brings the intrigue of The Golden Compass and The Subtle Knife to a heartstopping close, marking the third and final volume as the most powerful of the trilogy. Along with the return of Lyra, Will, Mrs. Coulter, Lord Asriel, Dr. Mary Malone, and Iorek Byrnison the armored bear, The Amber Spyglass intr! oduces a host of new characters: the Mulefa, mysterious wheele! d creatu res with the power to see Dust; Gallivespian Lord Roke, a hand-high spy-master to Lord Asriel; and Metatron, a fierce and mighty angel. And this final volume brings startling revelations, too: the painful price Lyra must pay to walk through the land of the dead, the haunting power of Dr. Malone's amber spyglass, and the names of who will liveâ€"and who will dieâ€"for love. And all the while, war rages with the Kingdom of Heaven, a brutal battle thatâ€"in its shocking outcomeâ€"will reveal the secret of Dust.
In an epic trilogy, Philip Pullman unlocks the door to a world parallel to our own, but with a mysterious slant all its own.
Dæmons and winged creatures live side by side with humans, and a mysterious entity called Dust just might have the power to unite the universes--if it isn't destroyed first. Here, the three paperback titles in Pullman's heroic fantasy series are united in one dazzling boxed set. Join Lyra, Pantalaimon, Will, and the rest as they embark o! n the most breathtaking, heartbreaking adventures of their lives. The fate of the universe is in their hands.
The Golden Compass,
The Subtle Knife, and
The Amber Spyglass pit good against evil in a way no reader will ever forget. (Ages 13 and older)
--Emilie CoulterFOR THE FIRST time, all three books of Philip Pullman's award-winning His Dark Materials trilogy (
The Golden Compass, The Subtle Knife, and
The Amber Spyglass) will be published in their entirety in one volume. Perfect for both new and established Pullman fans who want to read (or reread) the whole trilogy before
The Golden Compass movie debuts on December 7, 2007, this handsome 6 x 9 omnibus will feature every word of the trilogy as well as Philip Pullman's chapter opening art. Also, new and exclusive to this edition: Philip Pullman has written two pages of new vignettes for each book in the trilogy. Readers will be delighted to discover these intriguing new pas! sages at the end of each book's section in the omnibus.In the ! epic tri logy His Dark Materials, Philip Pullman unlocks the door to worlds parallel to our own. Dæmons and winged creatures live side by side with humans, and a mysterious entity called Dust just might have the power to unite the universes--if it isn't destroyed first. The three books in Pullman's heroic fantasy series, published as mass-market paperbacks with new covers, are united here in one boxed set that includes
The Golden Compass,
The Subtle Knife, and
The Amber Spyglass. Join Lyra, Pantalaimon, Will, and the rest as they embark on the most breathtaking, heartbreaking adventure of their lives. The fate of the universe is in their hands. (Ages 13 and older)
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Why the hell are we trying to make a horror film about a guy with a paper bag on his head? This, even more than “to be or not to be†was the question for myself and my brother Jay going into shooting Baghead. We had just come off of our first micro-budget feature The Puffy Chair, a sensitive, funny, quirky relationship movie that wowed Sundance, sold big, played incredibly well in theaters, DVD, and TV, and gained us favor in the indie world the world over. So, again, why would we be so stupid as to make a horror movie based around a guy with a bag on his head? 
