High Fidelity

• Rob Gordon (John Cusack) is the owner of a semi-failing record store in Chicago where he sells music the old fashioned way - on vinyl. He s a music junkie who spends his days at his store, Championship Vinyl, with his two employees Dick (Todd Louiso) and Barry (Jack Black) creating their all-time favorite top-five lists of songs. Although they have an encyclopedia knowledge of pop music and are co

Rob Gordon (John Cusack) is the owner of a semi-failing record store in Chicago where he sells music the old fashioned way - on vinyl. He`s a music junkie who spends his days at his store, Championship Vinyl, with his two employees Dick (Todd Louiso) and Barry (Jack Black) creating their all-time favorite top-five lists of songs. Although they have an encyclopedia knowledge of pop music and are consumed with the music scene, it`s of no help to Rob when his long-time girlfriend Laura (Iben Hjejle) wa! lks out on him. This hilariously funny comedy examines Rob`s failed attempts at romance and happiness, as he is dragged kicking and screaming into adulthood.

System Requirements:
Starring: John Cusack, Jack Black, Todd Louiso, Lisa Bonet, and Iben Hjejle.
Directed By: Stephen Frears and Seamus McGarvey.
Running Time: 113 Min., Color.
This film is presented in "Widescreen" format.
Copyright 2000 Buena Vista Home Video.

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The Devil Came On Horseback

• An up-close, honest, and uncompromising look at the crisis in Darfur, THE DEVIL CAME ON HORSEBACK exposes the ongoing tragedy in Sudan as seen through the eyes of one American witness. Using the exclusive photographs and first hand testimony of former U.S. Marine Captain Brian Steidle, the film goes on an emotionally charged journey into the heart of Darfur, Sudan, where in 2004, Steidle became

The Devil Came on Horseback is an intense, vivid autobiographical report from the heart of violent Darfur and a call to action by a former American Marine who became a military observer for the African Union. The first extensive on-the-ground account of the genocide in Sudan, it leads us through the tragic impact of an Arab government bent on destroying its black African citizens and the frustrating complexity of international inaction. At the same time, it is a powerful memoir of one soldier's ! awakening to conscience and his awkward, heroic transformation from Marine to humanitarian. While bearing witness to unmentionable atrocities, this compelling story offers evidence that the actions of just one committed person have the power to transform the world.
This intense, vivid report and call to action
from the heart of violent Darfur, by a former
Marine working as an unarmed military
observer for the African Union, is a powerful
memoir of a young man's awakening to
conscience and the first extensive on-theground
account of the genocide in Sudan.

Former United States Marine Brian Steidle served for six months in Darfur
as an unarmed military observer for the African Union. There he witnessed
first-hand the ongoing genocide, and documented every day of his experience
using email, audio journals, notebook after notebook and nearly 1,000
photographs. Gretchen Steidle Wallace, his sister, who wrote this ! book with
Brian, corresponded with him throughout his ti! me in Da rfur. Fired upon,
taken hostage, a witness to villages destroyed and people killed,
frustrated by his mission's limitations and the international community's
reluctance to intervene, Steidle resigned and has since become an advocate
for the world to step in and stop this genocide.

The Devil Came on Horseback depicts the tragic impact of an Arab
government bent on destroying its black African citizens, the maddening
complexity of international inaction in response to blatant genocide, and
the awkward, yet heroic transformation of a former Marine turned
humanitarian. It is a gripping and moving memoir that bears witness to
atrocities we have too long averted our eyes from, and reveals that the
actions of just one committed person have the power to change the world.
This intense, vivid report and call to action
from the heart of violent Darfur, by a former
Marine working as an unarmed militaryobserver for the African Union, is a powerful
memoir of a young man's awakening to
conscience and the first extensive on-theground
account of the genocide in Sudan.

Former United States Marine Brian Steidle served for six months in Darfur
as an unarmed military observer for the African Union. There he witnessed
first-hand the ongoing genocide, and documented every day of his experience
using email, audio journals, notebook after notebook and nearly 1,000
photographs. Gretchen Steidle Wallace, his sister, who wrote this book with
Brian, corresponded with him throughout his time in Darfur. Fired upon,
taken hostage, a witness to villages destroyed and people killed,
frustrated by his mission's limitations and the international community's
reluctance to intervene, Steidle resigned and has since become an advocate
for the world to step in and stop this genocide.

The Devil Came on Horseback depicts the tragic im! pact of an Arab
government bent on destroying its black Af! rican ci tizens, the maddening
complexity of international inaction in response to blatant genocide, and
the awkward, yet heroic transformation of a former Marine turned
humanitarian. It is a gripping and moving memoir that bears witness to
atrocities we have too long averted our eyes from, and reveals that the
actions of just one committed person have the power to change the world.DEVIL CAME ON HORSEBACK - DVD Movie

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De-lovely : The Cole Porter Story : Widescreen Special Edition

• Widescreen

"The most unusual and enchanting musical in years" (Roger Ebert), this cinematic ode to legendary composer Cole Porter is at once buoyantly fun and "heartbreakingly beautiful" (Liz Smith). OscarÂ(r) winner* Kevin Kline (The Ice Storm) is "perfection" (Rolling Stone) as the elegant and deeply complex Porter in a film that offers "knockout performances" (Gene Shalit) from Natalie Cole, Elvis Costello, Sheryl Crow, Diana Krall, Alanis Morissette and Robbie Williams, and "melancholy, wit and style to burn" (The Philadelphia Inquirer)! From Paris to Venice to Broadway to Hollywood, the lives of Cole (Kline) and Linda (Ashley Judd) Porter were never less thanglamorous and wildly unconventional. Though Cole's thirst for life strained their marriage, Linda never stopped being his muse, inspiring some of the greatest songs of the twentieth century.*1988: Supporting Actor, A Fish Called Wa! ndaEuropean version of 19-track soundtrack includes the bonus track 'Easy To Love' - Kevin Kline. Columbia.At first glance, the approach picked for De-Lovely will be familiar to those who already own Red Hot + Blue: A Tribute to Cole Porter. On both albums, contemporary pop stars cover classics by Porter. But many of the interpretations on Red Hot + Blue were modernized, whereas the approach on De-Lovely is more traditional---it's the soundtrack to a biopic about Porter, after all, so a classic (though not quite period) sound prevails. What's surprising is how well many of the singers handle the songs without the crutch of a contemporary pop retooling. Who would have thought that Alanis Morissette had such a natural affinity for "Let's Do It (Let's Fall in Love)," for instance? She fares equally well in her screen cameo, whereas Diana Krall sounds superb on "Just One of Those Things" but looks horribly uncomfortable in the film. Other good surpr! ises include Robbie Williams's "It's De-Lovely" and Kevin Klin! e as Por ter, coming across as a more tuneful Rex Harrison. Elvis Costello, meanwhile, confirms he's a better songwriter than singer, and as Linda Porter, Ashley Judd is hesitant at best. In a nice touch, a recording of Cole Porter himself performing "You're the Top" provides the album's coda. --Elisabeth VincentelliStudio: Tcfhe/mgm Release Date: 04/05/2011 Rating: Pg13dvd

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Caught Up!

• ISBN13: 9780972800501
• Condition: Used - Very Good
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Studio: Lions Gate Home Ent. Release Date: 01/20/2004It's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass fo! r acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakIt's no wonder Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the former and the stylish, tongue-in-cheek fun of the l! atter. Starring Bokeem Woodbine as Darryl, an ex-con who wants! to go s traight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting and wastes the laconic beauty of One False Move costar Cynda Williams, who plays a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted plot for laughs, it may have at least been a camp parody on the genre, but as it is, it doesn't avoid a single cinematic cliché. The DVD comes with a slew of music videos, the radio and TV spot, as well as a director's commentary track. But don't be fooled by all the goodies--they're simply a smokescreen to nudge the audience into thinking the film is important and worthy. Caught Up is a goofy mess of contradictions and implausibility. --Paula Nechak It's no wonder ! Caught Up only garnered haphazard theatrical release in 1998. Director Darin Scott, who is credited with screenplay nods for Tales from the Hood and Sprung, tosses everything--including the kitchen sink--into this noir rip-off that borrows liberally from Chinatown and Bound but lacks the intelligent gravity and grace of the first classic or the stylish, tongue-in-cheek fun of the second. Starring Bokeem Woodbine as Darryl, an ex-con who wants to go straight but who keeps finding himself in unlucky circumstances, Caught Up has laughable dialogue and terrible bug-eyed over-emoting that tries to pass for acting, and wastes the laconic beauty of One False Move costar Cynda Williams, as a femme fatale named Vanessa Dietrich (honest!). Vanessa wraps Darryl around her little finger and embroils him in a voodoo-esque drug plot that will have the viewer rolling on the floor in disbelief. Had Caught Up played its convoluted! plot for laughs, it may have at least been a camp parody on ! the genr e, but as it is, it doesn't avoid a single cinematic cliché. Caught Up is a goofy mess of contradictions and implausibility. --Paula NechakWhen Raven Klein, a bi-racial woman from Iowa moves to Atlanta in hopes of finding a life she's secretly dreamed about, she finds more than she ever imagined. Quickly lured and lost in a world of sex, money, power-struggles, betrayal & deceit, Raven doesn't know who she can really trust!

A chance meeting at a bus terminal leads to her delving into the seedy world of strip-clubs, big-ballers and shot-callers. Now, Raven's shuffling through more men than a Vegas blackjack dealer does a deck of cards. And sex has even become mundane -- little more than a tool to get what she wants.

After a famous acquaintance winds-up dead -- On which shoulder will Raven lean? A wrong choice could cost her life! There's a reason they call it HOTATLANTA!

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Lamb: The Gospel According to Biff, Christ's Childhood Pal

• ISBN13: 9780380813810
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.Stearns, the CEO of World Vision, says Christians have a huge hole in their lives, an emptiness that comes from ignoring the plight of the poor. He details his own quest to fill this hole by leaving Lenox Inc., where he was CEO, to run a not-for-profit that helps feed, clothe, and educate child! ren worldwide. Unlike many evangelical Christians, Stearns believes poverty is explained by something more than choices, and lifting cultures from the systemic causes of poverty requires a multi-pronged approach. This accessible book will make it into the hands of evangelical Christians who may not pick up one of the many ABA books on issues of hunger, access to clean water, malaria and AIDS. Readers of Rick Warren, Jim Wallis and N.T. Wright will find Stearns synthesizing thoughts from them as well as from economists and missionaries.This is a passionate and motivating magnum opus from the leader of one of the most recognized aid organizations in the world. The book is a surprisingly no-holds-barred prophetic voice in the wilderness crying out to rich Americans, "Repent and help your world neighbors."(Mar. 10) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.The Gospel According to Isaiah 53 presents the redemptive work of! the Messiah to the Jewish community, exploring issues of ato! nement a nd redemption in light of Isaiah chapter 53. It is clear that Jesus fulfills the specifications of the suffering servant of Isaiah 53.

Many believers feel stunted in their Christian growth. We beat ourselves up over our failures and, in the process, pull away from God because we subconsciously believe He tallies our defects and hangs His head in disappointment. In this newly repackaged edition—now with full appendix, study questions, and the author’s own epilogue, Â"Ragamuffin Ten Years Later,” Brennan Manning reminds us that nothing could be further from the truth. The Father beckons us to Himself with a Â"furious love” that burns brightly and constantly. Only when we truly embrace God’s grace can we bask in the joy of a gospel that enfolds the most needy of His flock—the Â"ragamuffins.”

Brennan Manning wrote The Ragamuffin Gospel "for the bedraggled, beat-up, and burnt-out," the marginalized folks to whom Jesus ministered: the children, the i! ll, the tax collectors, the women. In other words, the ragamuffins. Manning understands better than most that behind our facades of order and self-assurance are inadequacies that can find healing only in Jesus. While the powerful and religious elite challenged him, Jesus embraced and healed and fed the needs of the ragamuffins. Jesus delivered love, healing, and, most of all, grace.

Grace is defined as "the freely given and unmerited favor and love of God." But, as Manning points out, we have "twisted the gospel of grace into religious bondage and distorted the image of God into an eternal, small-minded bookkeeper." In reality, God offers us grace immeasurable. Brennan Manning gently encourages us to embrace that grace in the face of our greatest needs. And Manning certainly knows whereof he speaks, having taken a journey from priesthood and academic achievement through a collapse into alcoholism. Manning came face to face with his need, finally abandoni! ng himself to grace. And he invites us now to join him in a l! ife of g race.

Manning is without doubt one of the most eloquent writers on the subject of grace because he openly shares his own pain and struggle to help readers deal with failure and inadequacy. And he sweetly challenges them to do the same. --Patricia KleinContemporary evangelicals have built a 'salvation culture' but not a 'gospel culture.' Evangelicals have reduced the gospel to the message of personal salvation. This book makes a plea for us to recover the old gospel as that which is still new and still fresh. The book stands on four arguments: that the gospel is defined by the apostles in 1 Corinthians 15 as the completion of the Story of Israel in the saving Story of Jesus; that the gospel is found in the Four Gospels; that the gospel was preached by Jesus; and that the sermons in the Book of Acts are the best example of gospeling in the New Testament. The King Jesus Gospel ends with practical suggestions about evangelism and about building a gospel culture.!

Could the gospel be lost in evangelical churches? In this book, J.D. Greear shows how moralism and legalism have often eclipsed the gospel, even in conservative churches. Gospel cuts through the superficiality of religion and reacquaints you with the revolutionary truth of God's gracious acceptance of us in Christ. The gospel is the power of God, and the only true source of joy, freedom, radical generosity, and audacious faith. The gospel produces in us what religion never could: a heart that desires God.

The book’s core is a “gospel prayer” by which you can saturate yourself in the gospel daily. Dwelling on the gospel will release in you new depths of passion for God and take you to new heights of obedience to Him. Gospel gives you an applicable, exciting vision of how God will use you to bring His healing to the world.

The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth ! birthday. But no one knows about the early life of the Son of ! God, the missing years -- except Biff, the Messiah's best bud, who has been resurrected to tell the story in the divinely hilarious yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer).

Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more -- except maybe "Maggie," Mary of Magdala -- and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.

While the Bible may be the word of God, transcribed by divinely inspired men, it does not provide a full (or even partial) account of the life of Jesus Christ. Lucky for us that Christopher Moore presents a funny, lighthearted satire of the life of Christ--from his childhood days up to his crucifixion--in L! amb: The Gospel According to Biff, Christ's Childhood Pal. This clever novel is surely blasphemy to some, but to others it's a coming-of-age story of the highest order.

Joshua (a.k.a. Jesus) knows he is unique and quite alone in his calling, but what exactly does his Father want of him? Taking liberties with ancient history, Moore works up an adventure tale as Biff and Joshua seek out the three wise men so that Joshua can better understand what he is supposed to do as Messiah. Biff, a capable sinner, tags along and gives Joshua ample opportunities to know the failings and weaknesses of being truly human. With a wit similar to Douglas Adams, Moore pulls no punches: a young Biff has the hots for Joshua's mom, Mary, which doesn't amuse Josh much: "Don't let anyone ever tell you that the Prince of Peace never struck anyone." And the origin of the Easter Bunny is explained as a drunken Jesus gushes his affection for bunnies, declaring, "Henceforth and from now on, I decre! e that whenever something bad happens to me, there shall be bu! nnies ar ound."

One small problem with the narrative is that Biff and Joshua often do not have distinct voices. A larger difficulty is that as the tone becomes more somber with Joshua's life drawing to its inevitable close, the one-liners, though not as numerous, seem forced. True to form, Lamb keeps the story of Joshua light, even after its darkest moments. --Michael Ferch

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Artie Lange's Beer League featuring Artie Lange & Ralph Macchio

• Beer, broads and softball combine with hilarious results in ARTIE LANGE'S BEER LEAGUE, an over-the-top comedy about a group of misfits whose weekly softball games descend more into fights for macho dominance than making home runs. When love enters his life (Cara Buono), it unexpectedly alters Artie's low self-esteem; and the odds for winning not only the league trophy but a new life are co

Beer, broads and softball combine with hilarious results in ARTIE LANGE'S BEER LEAGUE, an over-the-top comedy about a group of misfits whose weekly softball games descend more into fights for macho dominance than making home runs. Starring Artie Lange and Ralph Macchio. When love enters his life (Cara Buono), it unexpectedly alters Artie's low self-esteem; and the odds for winningâ€"not only the league trophy but a new lifeâ€"are considerably amped along with the comedy and chaos.
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Color Me Kubrick

• John Malkovich gives a hilarious tour-de-force as Alan Conway, a conman who successfully passed himself off as the famed and notoriously reclusive director, Stanley Kubrick, for the last decade of the filmmaker's life, despite knowing very little about Kubrick. It'd be a farce of the highest order if it weren't based on a true story. Format: DVD MOVIE Genre: DRAMA Rating: NR Age

COLOR ME KUBRICK - DVD Movie

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