Atonement (Full Screen Edition)

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• Format: DVD
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Ian McEwan s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.

On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia s childhood friend. But Briony s incomplete grasp of adult motives together with her precocious literary gifts brings about a crime that will change all their lives. As it follows that crime s repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority th! at mark it as a genuine masterpiece.Ian McEwan's Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment.

We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate ! bar; and upstairs, Briony's migraine-stricken mother Emily kee! ps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present....

The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn't have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. --Alan Stewart, Amazon.co.ukFrom the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy dr! ives her to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelma Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differen! ces, they are powerfully attracted to each other, and just as ! their re lationship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, and after reading a private letter he sent to Cecilia, and then witnessing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot ! with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).

A small Minnesota town is stunned by the murder of their beloved mayor. Chief Archie Schultz, with the help of the his lady friend and the quirky towns folk, Archie solves the case. Murder in West Clover Bottom is a murder mystery laced with humor.A long history of biblical exegesis and theological reflection has shaped our understanding of the atonement today. The more prominent highlights of this history have acquired familiar names for the household of faith: Christus Victor, penal substitutionary, subjective, and governmental. Recently the penal substitutionary view, and particularly its misappropriations, has been critiqued, and a lively debate has taken hold within evangelicalism. This book offers a "panel" discussion of four views of atonement maintained by four evangelical scholars. T! he proponents and their views are: Gregory A. Boyd: Chr! istus Vi ctor view Joel B. Green: Kaleidescopic view Bruce R. Reichenbach: Healing view Thomas R. Schreiner: Penal Substitutionary view Following an introduction written by the editors, each participant first puts forth the case for their view. Each view is followed by responses from the other three participants, noting points of agreement as well as disagreement. This is a book that will help Christians understand the issues, grasp the differences and proceed toward a clearer articulation of their understanding of the atonement.From the award-winning director of Pride and Prejudice comes a stunning, critically acclaimed epic story of love. When a young girl catches her sister in a passionate embrace with a childhood friend, her jealousy drives her to tell a lie that will irrevocably change the course of all their lives forever. Academy Award® nominee Keira Knightley and James McAvoy lead an all-star cast in the film critics are hailing "the year's best picture" (Thelm! a Adams, US Weekly).Director Joe Wright (Pride and Prejudice) gives Ian McEwan’s bestselling novel a sumptuous treatment for the screen that should come to be regarded as one of the defining films of the epic romantic drama. Indeed, everything about this film stems from those three words: there is little here that is not epic, romantic, and dramatic, and Atonement is a film that masterfully expresses the overarching sense of adventure and emotion that such stories are meant to convey. In this instance, the story centers around the love story of highborn Cecilia Tallis (Keira Knightley) and housekeeper’s son Robbie Turner (James McAvoy, in a star-making turn), in England shortly before World War II. Despite their class differences, they are powerfully attracted to each other, and just as their relationship begins Robbie is tragically forced away due to false accusations from Cecilia’s younger sister Briony (Saoirse Ronan). She has a crush on Robbie, too, ! and after reading a private letter he sent to Cecilia, and the! n witnes sing the first expression of their mutual love but mistaking it for mistreatment, her resentment grows until it leads to her telling the lie that will send Robbie away. Soon World War II breaks out; Robbie enlists and is posted to France, Cecilia is a nurse in London, and Briony, now age 18 and aware of what she has done, tries to atone for her actions--but none of them will be able to get back what they have lost. Knightley and McAvoy are perfectly cast as the young star crossed lovers, and the young Ronan is particularly impressive, but it’s clear that the real star of this film is the director. Wright allows Atonement to revel in every moment of its story and each scene is compelling in its own way, but that now famous extended shot with Robbie on the beach at Dunkirk--filmed in one take and sure to be considered one of the great long tracking shots in film history--is the most memorable moment in this remarkable film. Atonement is an excellent example of ! what can happen when a great book meets great filmmaking. This is one that is not to be missed. --Daniel Vancini

Stills from Atonement (click for larger image).

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Shure SM7B Vocal Dynamic Microphone, Cardioid

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Superstars Billy Crystal, Whoopi Goldberg, and Bette Midler are just some of the big names who laugh it up in this richly funny behind-the-scenes look at the art of creating comedy! When celebrities need a hilarious punchline, they GET BRUCE! -- Bruce Vilanch, the comic writer behind Hollywood's biggest events! As the writer of the Oscars(R), the Emmys, and the Grammys award shows, laugh master Bruce is not only Hollywood's most wanted man, but he's been its best-kept secret ... until now! Featuring outrageous on-screen moments with Roseanne, Lily Tomlin, Paul Reiser, and many more, this fun film is your all-access pass to Tinseltown's most glittering nights ... with the man who keeps everyone looking like a star!

Vividly illustrating the techniques of a legendary innovator, this de! finitive examination explains how to survive attacks on the st! reet, in crease training awareness, and develop body movements. Originally compiled as a four-volume series, this revised edition breathes new life into a classic work with digitally-enhanced photography of jeet kune do founder Bruce Lee in his prime, a new chapter by former Lee student Ted Wong, and an introduction by Shannon Lee. This renowned compendium once again reclaims its place as an integral part of the Lee canon and a necessary addition for collectors and martial arts enthusiasts alike.

      We've all heard stories of people who�ve experienced seemingly miraculous recoveries from illness, but can the same thing happen for our world? According to pioneering biologist Bruce H. Lipton, it�s not only possible, it�s already occurring.

        In Spontaneous Evolution, this world-renowned expert in the emerging science of epigenetics reveals how our changing understanding of biology will help us navigate this ! turbulent period in our planet�s history and how each of us can participate in this global shift.

        In collaboration with political philosopher Steve Bhaerman, Dr. Lipton invites readers to reconsider:

�         the �unquestionable� pillars of biology, including random evolution, survival of the fittest, and the role of DNA;

�         the relationship between mind and matter;

�         how our beliefs about nature and human nature shape our politics, culture, and individual lives; and

�         how each of us can become planetary �stem cells� supporting the health and growth of our world.

        By questioning the old beliefs that got us to where we are today and keep us stuck in the status quo, we can trigger the spontaneous evolution of our spe! cies that will usher in a brighter future.

    !   We' ve all heard stories of people who�ve experienced seemingly miraculous recoveries from illness, but can the same thing happen for our world? According to pioneering biologist Bruce H. Lipton, it�s not only possible, it�s already occurring.

        In Spontaneous Evolution, this world-renowned expert in the emerging science of epigenetics reveals how our changing understanding of biology will help us navigate this turbulent period in our planet�s history and how each of us can participate in this global shift.

        In collaboration with political philosopher Steve Bhaerman, Dr. Lipton invites readers to reconsider:

�         the �unquestionable� pillars of biology, including random evolution, survival of the fittest, and the role of DNA;

�         the relationship between mind and matter;

�   Ã! ‚ Â Â Â Â  how our beliefs about nature and human nature shape our politics, culture, and individual lives; and

�         how each of us can become planetary �stem cells� supporting the health and growth of our world.

        By questioning the old beliefs that got us to where we are today and keep us stuck in the status quo, we can trigger the spontaneous evolution of our species that will usher in a brighter future.

The SM7B is a selectable frequency response microphone that delivers warm and smooth audio in close-proximity studio and vocal applications. Optimized shielding from external electromagnetic hum, along with internal shock mounting, external windscreens and adjustable bass roll-off and midrange emphasis response settings provide clean, consistent reproduction.

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Glory Road (Widescreen Edition)

• Very Black

The studio that brought you REMEMBER THE TITANS now delivers another winner with this exciting and inspirational true story of the team that changed college basketball -- and the nation -- forever! Josh Lucas (SWEET HOME ALABAMA) stars as future Hall of Fame coach Don Haskins of tiny Texas Western University, who bucks convention by simply starting the best players he can find: history's first all-African American lineup. In a turbulent time of social and political change, their unlikely success sends shock waves through the sport that follow the underdog Miners all the way to an epic showdown with all-white, #1 ranked Kentucky for the National Championship!One of the greatest basketball games in NCAA history is immortalized in Glory Road, an engaging sports movie that dramatizes a pivotal milestone in the racial integration of college athletics. While it may not be as rousi! ng as similar movies like Hoosiers or Friday Night Lights, this fact-based drama gains depth and substance from the groundbreaking achievement of Don Haskins (well-played by Josh Lucas), who coached the 1965-66 team from Texas Western University to the NCAA championship, using the first-ever all-black lineup in the championship game and forever changing the rules of college basketball. Texas Western's underdog season is followed from anxious start to glorious finish, as Haskins recruits many of his black star players from the North, including Bobby Joe Hill (Derek Luke) and Willie Cager (Damaine Radcliff), and this typically wholesome Disney film doesn't flinch from the harsh realities of racial tension (including player beatings and vandalized motel rooms) that Texas Western's black players had to struggle against as their victories began to draw national attention. Jon Voight (under heavy makeup) makes a memorable cameo appearance as legendary Kentucky coach! Adolph Rupp, whose favored all-white team was no match for Te! xas West ern, and Haskins' unforgettable achievement is celebrated in an end-credits sequence that demonstrates the positive ripple-effect of his color-blind coaching. Glory Road relies a bit too heavily on sports-movie clichés, but its shortcomings are easily overlooked in favor of its greater historical significance. --Jeff Shannon

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Casino Jack and the United States of Money

• This portrait of Washington super-lobbyist Jack Abramoff, from his early years as a gung-ho member of the GOP political machine to his final reckoning as a disgraced, imprisoned pariah, confirms the adage that truth is indeed stranger than fiction.  A tale of international intrigue involving casinos, spies, sweatshops and mob-style killings, this is a story of the way money corrupts our polit

Two-time Academy Award® Winner Kevin Spacey delivers a “bravura performance” (The New Yorker ) in this “uproarious, riveting and wickedly hilarious” (Elle ) film inspired by a true story. Spacey stars as Jack Abramoff, the real-life Washington power player who resorted to jaw-dropping levels of fraud and corruption. High-rolling excess and outrageous escapades are all in a day’s work for Abramoff, as he goes to outrageous lengths to promote the Indian gambling industry, earning him the nickna! me “Casino Jack.” But when Jack and his womanizing protégé Michael Scanlon (Barry Pepper) enlist a dimwitted business partner (Jon Lovitz) for an illegal scheme, they find themselves ensnared in a web of greed and murder that explodes into a worldwide scandal.The sordid tale of lobbyist Jack Abramoff and his greedy, felonious power plays during the glory days of the W. presidency are fine fuel for the antic romp Kevin Spacey turns out in Casino Jack. Spacey's signature twist of smug sincerity and self-satisfaction perfectly suits the portrait of a man whose morals are so corrupt and ego so glorified that he truly believes he's doing God's work at the same time he's swiping cash from every opportunistic situation he can wrangle. As a companion piece to Alex Gibney's equally entertaining documentary Casino Jack and the United States of Money, this comic rendering of a political life led with such impolitic indiscretion ramps the ridiculousness of Abramoff'! s schemes up several notches thanks to a liberal dose of drama! tic lice nse. Nevertheless, the events portrayed are real--the ploys to defraud Indian tribes, the bumbling forays of entrepreneurship, the ballsy attempts at misdirection once misdeeds spiral out of control--as are many of the major players. Director George Hickenlooper (who died at age 47 just days before the film's opening in late 2010) has no compunction about magnifying the ethical warts of historical players such as Tom DeLay, Ralph Reed, Grover Norquist, and Karl Rove as they act out the real-life sketch comedy of what really happened in the corridors of the Capitol and the conference rooms of K Street. Because it does come off as high-end sketch comedy, Casino Jack sometimes feels a little sketchy in its execution, but the cast is uniformly excellent in making scenes crackle with hilariously vituperative flair. Especially good are Barry Pepper as Abramoff's oily cohort, Jon Lovitz as a doltish, mobbed-up mattress salesman, and the late Maury Chaykin as a seemingly harm! less mafia functionary who's way more dangerous than his clownish exterior betrays. But the movie belongs to Spacey as a man obsessed with his own importance. This Abramoff, who worked as a C-list producer early in his career, still fancies himself a Hollywood-type player even as the A-list plots he scripts in Washington end up filled with holes. Spacey apes and mugs with typically borderline-manic panache, giving masterful insight into the master of a universe that exists almost entirely in his own avaricious mind. --Ted FryThis portrait of Washington super-lobbyist Jack Abramoff, from his early years as a gung-ho member of the GOP political machine to his final reckoning as a disgraced, imprisoned pariah, confirms the adage that truth is indeed stranger than fiction. A tale of international intrigue involving casinos, spies, sweatshops and mob-style killings, this is a story of the way money corrupts our political process. Oscar®-winning filmmaker Alex Gibney illu! minates the way politicians' desperate need to get
elected ! and the millions of dollars it costs may be undermining the basic principles of American democracy. Infuriating, yet undeniably eye-opening and entertaining, CASINO JACK is a saga of greed and corruption with a cynical villain audiences will love to hate.As he proved in Enron: The Smartest Guys in the Room, Oscar-winning director Alex Gibney knows how to transform creative bookkeeping into compelling drama without dumbing things down. In his follow-up to Gonzo, a portrait of rabble-rouser Hunter S. Thompson, Gibney takes on disgraced GOP lobbyist Jack Abramoff (Stanley Tucci provides his voice in readings). Gibney begins with the Mob-style murder of a one-time associate before backtracking to Abramoff's days as chairman of the College Republicans, where he rubbed shoulders with Karl Rove and Ralph Reed--and impressed Ronald Reagan. Even as a student, however, there were signs of trouble as he laundered money through charities, a pattern he would repeat throughout the d! ecades, always on the lookout for new loopholes. Gibney proceeds through his dealings with the Contras, an Angolan dictator, Saipan sweatshops, and Indian casinos (the debacle in Angola led him to produce the right-wing shoot-'em-up Red Scorpion). Along the way, Abramoff ensnared lawmakers and government officials in his web as they traded political favors for campaign financing. As Bob Ney's chief of staff, Neil Volz, puts it, Abramoff "could talk a dog off a meat truck." When his house of cards finally came crashing down, Reed, Ney, Volz, Tom DeLay, and numerous others fell with him (all but Reed appear in the film). As in his other documentaries, Gibney juices the action with music cues that keep things lively, even if some of his choices are a little too on the nose, like Howlin' Wolf's "Back Door Man." --Kathleen C. Fennessy

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Tom Brown's Schooldays

• This new adaptation of Thomas Hughes famous novel tells the tale of a young boy s courage in the face of vicious bullying. Set in Rugby Public School during the1800s, Tom transforms from a timid, homesick schoolboy to a courageous student as he learns to confront his fears, stand up for his friends, and hurdle the obstacles of adolescence. Format: DVD MOVIE Genre: TELEVISION Rating:&nb

Set in modern day Britain, Harry Brown follow's one man's journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and is forced to dispense his own brand of justice. As he bids to clean up the run-down estate! where he lives, his actions bring him into conflict with the police, led by investigating officer DCI Frampton (Emily Mortimer) and Charlie Creed-Miles. With its themes of rampant urban decay and crime, mistreatment of the elderly, and vigilantism, Harry Brown will inevitably be compared to earlier movies from Death Wish to Gran Torino. The comparisons are apt, but with the able assistance of Michael Caine in the title role, director Daniel Barber and screenwriter Gary Young's tale stands on its own, grimly but compellingly. Caine's Harry Brown, a retiree and former marine, lives alone in a flat in a decrepit London council estate, spending his time visiting his comatose wife in the hospital, playing chess at the local pub with his only friend (David Bradley), and gazing out at the quotidian violence and drug dealing carried out with virtual impunity by the insolent young thugs and lowlifes on the estate grounds. It's a lonely existence that only gets ! sadder when his wife dies and his pal is murdered; and when th! e police inform him that nailing those responsible will be next to impossible, Harry turns dirty. His first killing is in self-defense, but once he gets hold of a gun (obtained from a dealer-junkie in a nightmarishly vivid scene), it is on, as our "vigilante pensioner" takes no prisoners in his pursuit of street justice. The cops, who are mostly depicted as clueless and thoroughly inept, assume the local gangs are responsible; only Detective Inspector Alice Frampton (Emily Mortimer), about the only one with a brain and a heart, suspects Harry, and she plays an important role as the film careens towards its operatically brutal climax. The scenes of violence are intense but very well staged, and the film's overall look and downbeat color palette effectively convey the sense of squalid hopelessness permeating this stratum of British existence. Harry Brown isn't a lot of fun, but it will stick with you. --Sam GrahamSet in modern day Britain, Harry Brown follo! w's one man's journey through a chaotic world where drugs are the currency of the day and guns run the streets. A modest law-abiding citizen, Harry Brown is a retired Marine and a widower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his actions bring him into conflict with the police, led by investigating officer DCI Frampton (Emily Mortimer) and Charlie Creed-Miles. With its themes of rampant urban decay and crime, mistreatment of the elderly, and vigilantism, Harry Brown will inevitably be compared to earlier movies from Death Wish to Gran Torino. The comparisons are apt, but with the able assistance of Michael Caine in the title role, director Daniel Barber and screenwriter Gary Young's tale stands on its o! wn, grimly but compellingly. Caine's Harry Brown, a retiree an! d former marine, lives alone in a flat in a decrepit London council estate, spending his time visiting his comatose wife in the hospital, playing chess at the local pub with his only friend (David Bradley), and gazing out at the quotidian violence and drug dealing carried out with virtual impunity by the insolent young thugs and lowlifes on the estate grounds. It's a lonely existence that only gets sadder when his wife dies and his pal is murdered; and when the police inform him that nailing those responsible will be next to impossible, Harry turns dirty. His first killing is in self-defense, but once he gets hold of a gun (obtained from a dealer-junkie in a nightmarishly vivid scene), it is on, as our "vigilante pensioner" takes no prisoners in his pursuit of street justice. The cops, who are mostly depicted as clueless and thoroughly inept, assume the local gangs are responsible; only Detective Inspector Alice Frampton (Emily Mortimer), about the only one with a brain and a! heart, suspects Harry, and she plays an important role as the film careens towards its operatically brutal climax. The scenes of violence are intense but very well staged, and the film's overall look and downbeat color palette effectively convey the sense of squalid hopelessness permeating this stratum of British existence. Harry Brown isn't a lot of fun, but it will stick with you. --Sam GrahamUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (2.35:1), SPECIAL FEATURES: Anamorphic Widescreen, Cast/Crew Interview(s), Commentary, Deleted Scenes, Interactive Menu, Music Video, Scene Access, SYNOPSIS: Set in modern-day Britain, Harry Brown follows one man's (Sir Michael Caine) journey through a chaotic world where drugs are the currency of the day and guns run the streets. ! A modest law-abiding citizen, Harry Brown is a retired Marine ! and a wi dower who lives alone on a depressed housing estate. His only company is his best friend Leonard (David Bradley). When Leonard is murdered by a gang of thugs, Harry feels compelled to act and is forced to dispense his own brand of justice. As he bids to clean up the run-down estate where he lives, his actions bring him into conflict with the police, led by investigating officer DCI Frampton (Emily Mortimer) and Sergeant Hickock (Charlie Creed-Miles). ...Harry BrownThis new adaptation of Thomas Hughes' famous novel tells the tale of a young boy's courage in the face of vicious bullying. Set in Rugby Public School during the mid-1800s, the eponymous Tom transforms from timid, homesick schoolboy to courageous student as he learns to confront his fears, stand up for his friends, and hurdle the obstacles of adolescence.Tom Brown's Schooldays charts a young boy's first steps towards adulthood as he attends a troubled British school. As Tom Brown (Alex Pettyfer, Stormbrea! ker) arrives at Rugby Public School, so does the new headmaster, Dr. Arnold (Stephen Fry, Gosford Park, Wilde), a man who intends to stamp out the bullying and drunkenness that sow corruption in the school. Brown and Arnold collide, but Brown's true enemy is the brutal Flashman (Joseph Beattie), an upperclassman who dedicates himself to making Brown's life miserable. The adaptation of this classic English novel is extremely abridged (only 93 minutes, as opposed to the almost four-hour 1971 version) and takes some liberties with the story (Flashman's crimes are much more dastardly here). But the results are strong; though the exposition may feel a bit choppy and episodic, the mixing of storylines leads to an emotionally compelling second half. This version retains the novel's greatest strength, the complexity of Tom Brown himself; far from a cardboard icon of virtue, Brown's character allows for both courage and insolence, loyalty and rebelliousness. But th! e movie's greatest strength is Stephen Fry's performance; his ! magnetis m, intelligence, and empathy drive Tom Brown's Schooldays forward. --Bret Fetzer

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The Game Plan (Full Screen Edition)

• In this hilarious and heartwarming family comedy, one of the sport's toughest players ever takes on his biggest challenge yet -- fatherhood! A superstar with an ego bigger than a football field, Joe Kingman (Dwayne "The Rock" Johnson) is getting ready for a run at the big championship game when the 8-year-old daughter he never knew existed shows up at his not-so-family-friendly bachelo

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. Desperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and discipline, Porter persuades his superiors to let him teach the kids football--and then take on high school teams. Thoug! h based on a true story (documentary footage over the closing ! credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

Beyond Gridiron Gang at Amazon.com

More Football Films

The Soundtrack

Other Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. Desperately looking for a way to make a difference, he an! d his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and discipline, Porter persuades his superiors to let him teach! the kids football--and then take on high school teams. Though! based o n a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

!

Beyond Gridiron Gang at Amazon.com

More Football Films

The Soundtrack

Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet a violent end when they return to the streets. De! sperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's "Pimp My Ride") devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not-yet-hardened kids a taste of self-esteem and disciplin! e, Porter persuades his superiors to let him teach the kids fo! otball-- and then take on high school teams. Though based on a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

Beyond Gridiron Gang at Amazon.com

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More Football Films

The Soundtrack

Films about Underdogs

Dwayne "The Rock" Johnson stars in this gritty and inspirational movie based on a true story of a group of teenage delinquents given a second chance to redeem themselves by playing football. Sean Porter (Johnson) is a frustrated juvenile probation officer. Most of the kids in his detention camp are either sent back to prison once they leave or meet! a violent end when they return to the streets. Desperately looking for a way to make a difference, he and his co-worker Malcolm Moore (Xzibit, TV's Pimp My Ride) devise a plan to teach discipline and responsibility through the game of football. But with only four weeks before the start of the season, Porter must overcome insurmountable odds to put together a competitive team. It's a season that will test their minds, spirit, and bodies as Porter teaches his players the principles of good character, strength through resiliency, and genuine respect for one another.

In Gridiron Gang, Dwayne "The Rock" Johnson once again displays far more cinematic charisma than one could expect from a former professional wrestler. Sean Porter (Johnson, Be Cool), a football player turned juvenile detention counselor, wrestles with a seemingly insolvable problem: The vast majority of young men who leave detention fall right back into crime. Seeking a way to give these not! -yet-hardened kids a taste of self-esteem and discipline, Port! er persu ades his superiors to let him teach the kids football--and then take on high school teams. Though based on a true story (documentary footage over the closing credits reveals that some dialogue was lifted straight from the real Sean Porter's mouth), Gridiron Gang is pure underdogs-overcome-adversity formula. A formula is not necessarily a bad thing; when executed with skill and commitment, fulfilling a classic story mechanism can be perfectly satisfying, and Gridiron Gang qualifies. But it's Johnson who carries it through, demonstrating--in the most unlikely of roles--a surprisingly gentle touch. Johnson manages to be manly without overbearing machismo, earning not only respect but empathy. --Bret Fetzer

Stills from Gridiron Gang (click for larger image)

Beyond Grid! iron Gang at Amazon.com

More Football Films

The Soundtrack

Films about Underdogs

Studio: Buena Vista Home Video Release Date: 08/15/2008 Run time: 110 minutes Rating: Pg"When you look at me, what do you see?" pontificates football star Joe Kingman, then provides the answer: "Greatness." Well, clearly an ego like that needs to be brought down to size--pint-size. The winni! ng family comedy The Game Plan has a whole lot going for it, including star Dwayne "The Rock" Johnson, who's a natural comedic actor (and the camera loves him), and the young actress (Madison Pettis) who plays the daughter he didn't know he had, Peyton. The plot doesn't break much new ground, since many films have mined the territory of the self-indulgent child-adult who suddenly "inherits" a child (from Three Men and a Baby to Baby Boom to Big Daddy to Raising Helen). But thanks to the charismatic performance of Johnson, the film is winsome and uplifting. Johnson's comic timing and straight-man face are spot-on, as is his warm chemistry with the sweet-faced Pettis. Also giving notable performances are the lovely Roselyn Sanchez as Peyton's ballet teacher, and Kyra Sedgwick as Kingman's hard-nosed agent who's aghast at the appearance of an out-of-wedlock child. Children and adults both can enjoy the movie's warm-and-fuzzy moral of making f! amily where you find it--or where it finds you. --A.T. Hurl! ey

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